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New Jandakot Western Australia MP Yaz Mubarakai Speaks About his Election


A cause(way) that linked Mumbai’s islands

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While the government struggled to collect funds to construct a causeway for better connectivity in the island city, one Parsi family took it upon itself to construct the Mahim Causeway.

Before 1845, getting to Bandra from Mahim was nothing like what it is today. The lack of any land route meant taking a ferry between the two points. The situation would get worse during monsoons, with many losing life during the sail.

While the government struggled to collect funds to construct a causeway for better connectivity in the island city, one Parsi family took it upon itself to construct the Mahim Causeway. Today, one of the roads — Lady Jamsetjee Road — along the causeway is the only reminder of this important contribution made by Avabai Jamsetjee and her family to the city.

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Avabai’s husband Sir Jamsetjee Jeejeebhoy was the first Baronet and a very successful Parsi businessman. While the then British government wanted to build a causeway and sought funding through public subscription, it was unable to realise the plan, leading to Jamsetjee Jejeeebhoy and his family meeting the cost. Lady Jamsetjee, however, laid one condition for the funding — residents of the city should not be burdened with toll.

The reason for taking on this construction by the family was owing to a disaster that struck in 1841 when 15-20 boats capsized while crossing the creek, resulting in several lives being lost. “When news of this tragedy reached Lady Jamsetjee, she expressed her desire to bear the cost of building a causeway linking Mahim and Bandra. Jamsetjee wrote to the government expressing his wife’s offer to donate Rs 1,00,000 towards the construction of the causeway to ease the journey from reaching the island of Salsette from Bombay,” said Sir Jamsetjee Jejeeebhoy, the 8th Baronet and the successor to Sir Jeejeebhoy’s baronetcy.

“Since the estimate provided by the government was found to be exorbitant, Jamsetjee asked the government to invite tenders for this work. Finally, the tender submitted by one Jamsetjee Dorabjee Naigaumwala was accepted and he undertook to complete the causeway in two and a half years. Construction began in 1843. Later, the authorities realised the estimate had fallen short and the government approached Lady Jamsetjee again, who donated another Rs 40,000 on condition that no toll would be collected for the use of the causeway,” said the 8th Baronet.

The construction was completed on April 8, 1845. “At the inauguration, Lady Avabai agreed to donate another Rs 22,000 to build an approach road from Mahim bazaar to the causeway. The road was opened in 1848 and bears the name Lady Jamsetjee Road even today,” he added.“There is also a legend attached to the construction of the causeway,” said Sir Jeejeebhoy.

None of the two daughters born to Avabai survived beyond their infancy. She had three sons but wanted a daughter and sought to make a wish before Our Lady of the Mount that if she were blessed with a daughter who survived till the age of seven years, she would repay her debt of gratitude to Virgin Mary.

“In 1834, Avabai gave birth to a girl named Pirojbai, and as the years went by Avabai kept renewing the vow she had made, until Pirojbai attained the age of seven. Avabai fulfilled her vow by deciding to contribute towards the causeway around the time the major accident took place. The parents also gifted a pearl necklace and earrings to adorn the statue of Virgin Mary,” said Sir Jeejeebhoy.

The family is also believed to have funded the steps leading to the shrine.“She was a very private person. She ensured that her daughter got the same education as her sons,” he added.

“Avabai was the daughter of Framji Nusserwanji Battliwala, who sold bottles in the Fort area. Jamsetjee was Avabai’s cousin who used to work with her father. Jamsetjee over the years became a successful businessman through his voyages to China. The Causeway was constructed out of compassion for the fishermen who lost their lives while crossing the creek,” said research scholar Nawaz Mody.

In recognition of these services, Jamsetjee was conferred a knighthood in 1842 and Avabai become Lady Jeejeebhoy. Subsequently, in 1857, a baronetcy was conferred upon Jamsetjee.

Return To Roots 2017 Trip Applications Open

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Parsi Khabar has been associated with the Zoroastrian Return To Roots Program since its inception in 2013. Over the last three trips over 45 Zoroastrian youth from all over the world have had an opportunity to participate in these tours. Young adults between the ages of 22-35 spend about 14 days in India experiencing Zoroastrian life, culture, history, religion and meeting amazing folks and their own peers. If you know of any young adults, we urge you to ask them to apply for this transformative and life-affirming program.

Zoroastrian Return To Roots writes….

The Zoroastrian Return to Roots Program is pleased to announce the opening of applications for Return to Roots 4 Trip scheduled to take place from 22nd December, 2017 to 3rd January 2018. This will be the fourth tour after the first three very successful tours in 2013-14, 2015 and 2016.

imageThe aim of Zoroastrian Return to Roots is to bring together young Zoroastrians from across the world between the ages of 22-35; to return to their roots, reconnect with their culture, and revive the community. Participants (‘Fellows’) will explore various significant Zoroastrian historical, religious, cultural, and archaeological sites in India over a trip of 13 days.

The itinerary will take participants to Mumbai and Gujarat. The tour in 2017 is unique since it will overlap with the Iranshah Utsav in Udvada in December 2017.

One of the key aims of this program is to foster a sense of community amongst Fellows and for individuals to contribute to the institutions they visit as well as the program even after they have participated. Another aim of the trip is for participants to understand and realize the influence Parsis have had on modern-day India. Fellows also understand and experience first-hand the meaning behind our long-standing religious customs and traditions.

Fellows from previous trips returned from India with a deep understanding and appreciation for our small but powerful community. They are becoming more involved with their local Zoroastrian associations, giving back to the community, and encouraging other youth to participate in Return to Roots.

Applications close on November 15, 2017.

We encourage applicants to apply using the following link: http://zororoots.org/apply/ before the deadline and approach one’s local community members and associations for funding and sponsorship. Applications are accepted on a rolling-basis.

Return To Roots website: www.zororoots.org

Facebook: https://www.facebook.com/ZoroastrianReturnToRootsProgram/

2017 Trip Program: http://zororoots.org/2017-return-to-roots-tentative-itinerary/

To Apply: http://zororoots.org/apply/

Image Gallery: http://zororoots.org/gallery/

Zoroastrians Flock to Sacred Temple for Annual Pilgrimage

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Each year from June 14–18, thousands of Zoroastrians from Iran, India and other countries flock to an ancient fire temple at Pir-e Sabz or Chak Chak village in central Iran.

Article on Iran Front Page News

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Each year from June 14–18, thousands of Zoroastrians from Iran, India and other countries flock to an ancient fire temple at Pir-e Sabz or Chak Chak village in central Iran.

The village Chak Chak is part of Ardakan County in Yazd province, central Iran. A fire temple located in the village is the most sacred of the mountain shrines of Zoroastrianism.

Chak Chak serves as a pilgrimage point for pious Zoroastrians who annually flock to the site from Iran and all around the world.

Tradition has it that pilgrims are to stop riding the moment they catch sight of the temple and complete the last leg of their journey on foot.

In Zoroastrian belief, Chak Chak is where Nikbanou, second daughter of the last pre-Islamic Persian ruler, Yazdgerd III of the Sassanid Empire, was cornered by the invading Arab army in 640 CE. Fearing capture Nikbanou prayed to Ahura Mazda to protect her from her enemies. In response to Nikbanou’s pleadings, the mountain miraculously opened up and sheltered her from the invaders.

Notable features of Chak Chak include the ever-dripping spring located at the mountain. Legend has it that these drops are tears of grief that the mountain sheds in remembrance of Nikbanou. Growing beside the holy spring is an immense and ancient tree said to be Nikbanou’s cane. Legend also has it that a petrified colorful cloth from Nikbanou was also visible in the rocks, although pilgrims have since removed it.

Here are ISNA’s photos of the recent gathering of Zoroastrians in Pir-e Sabz:

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Yeh Ballet

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Our dear friend Sooni Taraporevala informs us of Yeh Ballet, a lovely virtual reality short film she recently completed.

Sooni writes…

Yeh ballet kya cheez hai? What is this thing called ballet Amir asks in the beginning of the film. Manish who had saved and gifted himself modern dance classes around the same time, also had no clue. A mere 2 ½ years later both of them went from very humble backgrounds to the Oregon Ballet Theatre school in USA on a full scholarship. It was my privilege to document the tail end of their amazing journey.

My route to them was a circuitous one. My son Jahan, a student at Brown University, home for the summer, in the car on the way home from the airport, was excited about his new interest – wanting to make a VR film. I had just read an article about Anand Gandhi’s VR lab. I put Jahan in touch with Anand who was very welcoming. Jahan started working on his film at the lab and they approached me to make a VR film for them.

Always of the belief that you can teach an old dog new tricks, I was eager to learn something new. Of all the subjects they presented to me the one I was instantly drawn to was about two boys from very low income families who had been discovered by an Israeli American ballet teacher Yehuda Maor and were so good they had been offered a scholarship to the Joffrey Ballet but couldn’t go because the American consulate had turned them down for a visa. The reason I chose this was for personal reasons. I had learnt ballet myself as a child in South Bombay. [continue reading…]

 

I’m really happy to share with you my latest film Yeh Ballet. It’s about two boys from working class families in Mumbai who dream about being principal dancers in American ballet companies.

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It’s a VR (Virtual Reality) 15 minute film. It has been shot and can be viewed in a 360 degree radius.

Get the iOS and android app today and enjoy the film in immersive #VR if you have a VR headset

Even if you don’t you can download the Elsevr app on your phone or computer which has Yeh Ballet as well as some other VR films. 

iOS app – https://goo.gl/s02RGH
Android app – https://goo.gl/fuZYmM

Or watch on web on the ElseVR website.

Website – www.elsevr.tv/yeh-ballet
If watching on your computer you can move your mouse or your finger on the trackpad to see 360 degrees,

If watching on a phone you can either move the image with your finger or move the phone and the image will move.

How I travelled 185+ countries | Meher Heroyce Moos

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Our dearest friend Meher Heroyce Moos was recently a TEDx speaker in Ahmedabad, India.

 

Watch Meher Heroyce Moos discuss about the 3 C’s and many other things that distinguished this solo traveler from the rest. She explains how networking and voracious reading habits helps in travelling and much more.

For more than five decades, Meher has been on a never-ending adventure across the world, travelling far and wide in a quest to quench her wanderlust. While Meher’s job did take her places, she wanted to travel more, especially to offbeat places. Born and brought up in Maharashtra, Meher did her schooling from St. Joseph’s Convent in Panchgani. After that, she completed her BA (Hons.) from Sophia College, followed by LLB from the Government Law College in Bombay (now Mumbai). In 1965, at the young age of 21, she joined Air India as an air hostess. The list of unusual and exotic places Meher has been to in the world is staggeringly long: most of the mountain chains of the world, Andes, Sierra Nevada, the Rockies, the Alps, Atlas, Himalayas; the remotest islands of Indonesia, Melanesia and Polynesia; across all oceans and several rivers, the Amazon, Congo, Zambesi, Mississippi, Yangtse, Ganges; a total of more than 185 countries with over 18 passports.

This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at https://www.ted.com/tedx

Piroj Wadia: So Long, Farewell, It’s Hard To Say Goodbye!

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The last time I spoke to Piroj was two days before Nina Goel, her friend called me from Piroj’s mobile phone to inform me of her hospitalization and to tell me that Piroj would not be able to send in her weekly column for The Daily Eye (www.thedailyeye.info), as she wasn’t well; but that she would catch up with the one next week.

Article by Vinta Nanda | The Daily Eye

A week prior to that day when Nina made this call to me, I had phoned Piroj and asked her if she would like to accompany my ex-colleague Deepa Bhalerao and myself to the Press Club of Mumbai, as we were going there to attend a Press Conference.

Piroj, Deepa and myself had been planning to go to the Press Club together for months, because Piroj had been insistent that we should register The Daily Eye there, and we had planned that whichever was the day that Deepa and I were to travel into South Mumbai for a meeting, would be the day when we would fetch Piroj from her house and take her along with us. She also wanted us to have lunch with her there. She would tell me every time I spoke to her on the phone about our impending visit, that the food at the club was outstanding.

That day Piroj told me that she wasn’t feeling too well but then she made a couple of calls and by the time Deepa and I had reached the Press Club, the management was looking out for us, and we walked in there somewhat like celebrities. We picked up the forms after we were done with the Press Conference, and I called up Piroj on the way back to thank her. Piroj told me, “Vinta, I love your office and I want to come there soon,” to which I said to her that I would really like her to come over soon; and then she took a pause before she continued speaking. She said, “Vinta, where did you get that quiche from, the day that I had visited you last? Will you order that for me when I come to your office to see you?” I laughed and told her that of course I would do that. She was happy to hear that, and then we went on with our lives.

Piroj was a really good friend of mine, as she was to many others. My first tryst with her was when she called me up in late 1993, at the time I was writing this soap opera Tara, which went on to become a huge hit. I was in my mid twenties then and I was not at all prepared for a call from the editor of one of the most popular television magazines of those times, ‘TV And Video World’, especially when the call had come from the formidable Piroj Wadia who was also then the editor-in-chief of Cineblitz, one of the very popular film magazines.

I had never met Piroj before that day, only heard of her. She drawled on before I could grasp on the fact that she had actually called me, and she said to me, “Vinta Nanda, I want to do a cover story with you.”

I remember I was aghast, and I was speechless; a cover story with me? Can that really be true? I must’ve mumbled something, and then she said to me that she would like to meet me and before she could go any further, I told her that I would drop by at her office the very next day. I took her address and landed up at her office, which was at Nariman Point in Mumbai, the next afternoon. She met me with open arms and a warm hug. She told me that she loved Tara and she was really very happy to meet me.
We struck a friendship that day, because she could sense my disbelief and she spent a considerable part of the afternoon convincing me that the cover story that she wanted to do with me was really about to happen.

Thereafter, Piroj and I kept in touch all along. We both went through many ups and downs, but in my weakest moments when everybody I thought used to care for me, had abandoned me in those years between 2006 and 2012, Piroj made it a point to call me every single week and chat with me for hours.

Oh yes, she could really talk for hours, and I could happily listen to her for hours as well. When my entire life had fallen apart, she pushed and shoved me towards Children’s Film Society of India (CFSI), along with the efforts of Rinki Roy Bhattacharya, whom I hardly knew then, but who in a strange way had also connected with me; and together they ensured that I was included to the script reading and approval committee.

CFSI was then paying me Rs 400 per reading of each of the scripts and for putting my comments to them. When I was told of what I would get paid, I called up Piroj and Rinki both, and individually, to thank them. I also asked them if they really thought that roughly around Rs 800 a week would solve my problems? Both of them told me exactly the same thing. They said, “Oh yes, when it comes knocking on your door, it is useful, just take on this job and get involved.” Sure enough, the day that the CFSI man came to my doorstep one day, many weeks later, and handed me Rs 4000 in cash, it was the day on which I was completely broke and didn’t have enough money to take an auto rickshaw to the ad agency Creative land Asia, where I had been called in to meet with the Managing Director, Raj Kurup, for a prospective job; a meeting which I had obviously planned to skip.
I got the job of a consultant because I ended up going to the meeting that day and the consultancy paid me enough to cover my house rent and my food and transport; including the upkeep of my amazing big black dog, Charlie.
This was in 2010.

Piroj never failed to call me at least once a week, and she would encourage me and keep reaffirming to me that I was talented and that I should never give up. She was going through a bad time herself, with her health as well as with her finances. She would tell me that she needed a job, and when I would meet people who knew her, some as well as I did, and others who knew her even better than I did, and ask them on her behalf to help her find a job; I was told by most of the heartless, that I should not sympathize with her, because she had called this situation upon herself.
Yes, it is a very cruel world.

I would often hear some of the the very successful say that about another dear friend of mine who is suffering a lot too and whose name I won’t mention here; and I would think to myself, “When I go asking my friends to help me get some work so that I can survive the bad times that I’m in, do they also think the same about me?” But of course, I was right.
We live in a world, where you are never forgiven for your mistakes, more so after you have succeeded exponentially in your life prior to making them.

There is no bigger learning in life than when you walk up to your friends who wouldn’t have left your side for a moment at the time when you were doing well in your life; and now when you see them walk away from you, before you catch their eye.

However, life went on for all of us. I wasn’t able to keep up with reading scripts for CFSI because my job was demanding, but by 2012, things for me had picked up again and I got busy in establishing the Asian Centre for Entertainment Education (ACEE). The first person I called up and told of the work I was going to be doing, was Piroj Wadia.
She was thrilled when I told her that I was setting up a web news portal called The Daily Eye and that I would like her to write a weekly Television Review for it. When I asked her how much she would charge me, she told me that as long as what I paid her covered the cost of her medicines every month, she was fine. We agreed on that and Piroj Wadia wrote her weekly Television Review for The Daily Eye for the next three and a half years.

Her last two reviews came to us on April 29th (http://thedailyeye.info/post.php?id=0d1efab395f59aa3&title=Ekta-Kapoor,-Still-A-Pioneer) and May 6th (http://thedailyeye.info/post.php?id=4aad806e904a5c9b&title=A-Definitive-Historical)

In the week of May 8th, Piroj called me to tell me that she needed a break for some days, because the laptop she was using had packed up, and that she was soon going to get a new one after which she would start writing again.

Then she called me again two weeks later to tell me that she had ordered a new laptop online and would resume writing her TV Reviews as soon as it was delivered. Thereafter, when I called her to ask her to accompany Deepa and me to the Press Club, she said, she wasn’t feeling well. And then soon after that, two days later, Nina Goel called me from Piroj’s phone and told me that Piroj had been hospitalized.

I had thought she would be back home and that she would be writing her next review on her new laptop, but then suddenly I got this message from one of her colleagues, Johnson Thomas, that Piroj was unconscious and that she was diagnosed with Septicemia. He wrote to me in the message which he sent me, that Piroj had been put on the ventilator and that there was nobody from her family who was there to take responsibility for her. He said that the doctors were waiting for someone to come around and give them the permission to pull her off the life support that she had been kept on.

I immediately put the message up on my Facebook page, and so many angels descended upon Piroj. Mahabanoo Mody Kotwal, Dolly Thakore, Moin Beg to name a few. All of them went to see her and kept us updated till this evening of 19th June 2017.
Mahabanoo informed us a few hours ago, that finally some of her relatives did show up, and that Piroj has finally found peace and gone to the better place.
Piroj has left all of us and she has gone to her new home, probably where her old laptop will be functioning, because in Gods heaven it is alone, where everything works. Adieu my friend Piroj Wadia.

Disclaimer: The views and opinions expressed in this article are those of the authors and do not necessarily reflect the official policy or position of thedailyeye.info. The writers are solely responsible for any claims arising out of the contents of this article.

Garda Legacy in the Toronto Police Department

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The newest police dog has the skills to sniff out firearms and illicit drugs, much like many of her four-legged colleagues, but also has the additional gift of helping to heal members of the Service family.

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The Garda family and Constable Alexander Watts with the newest police dog, Garda

 

Garda, a one-year-old Springer Spaniel firearm and drug detector dog, is named after Darius Garda, a 51 Division officer who died in early 2016 after struggling with his mental health issues.

The Garda family was welcomed to Police Dog Services to watch as the dog, named after their loved one, received her badge in recognition of being ready for the road and had a chance to play with the dog and talk to her handler, Constable Andrew Watts.

Garda’s sister, Dilnaz, said her family is touched by the gesture from fellow officers.

 

“I realized, as a family, that we’re not the only ones hurting, that 51 Division and all of TPS hurt as well. When they wanted to do something so meaningful and so special, it made us, as a family, know that my brother will always remain in the hearts and memories and that’s what we want for his memory to always be alive,” said Dilnaz Garda, who was joined by her mother and father, husband and two children in celebrating the newest police dog. “We feel honoured. We love that Garda has a badge and it’s just perfect.”

d9f609d77e80834bd2d5f7395ab521b7She says the police dog is a great representation of her brother’s dedication to community. 

“It just feels like my brother is still policing through Garda and still making a difference in the community,” says Dilnaz, who continues to work alongside the Toronto Police Service to support the mental health of Service members through her Toronto Beyond the Blue non-profit organization.

Detective Sergeant Anne-Marie Bishop says officers at 51 Division sought many ways to honour Garda’s legacy, which included hundreds of officers holding a private memorial service for the family and Service members, after his death, speaking from the heart about his wit and intelligence.

“We were thinking of a way to honour Darius,” says Bishop. “A few of the things about Darius we certainly knew well is that he loved being a police officer and he loved dogs. So it came together that way.”

Bishop sought permission from the family, who embraced the idea, then asked fellow 51 Division officers for funds. Within a week, they had the $3,700 needed for the living memorial.

“It’s a positive thing and it reminds us of him,” says Bishop. “When someone in the community asks about the dog’s name, they can learn a little about him.”

Watts says he is now on patrol with the dog and his general purpose dog, Nyx, a German Shepherd.

“Garda’s role will be to look for firearms and narcotics,” he says. “Everyone who knows Springer Spaniels knows they’re full of energy… but when they get to searching, they stay on task and they’re a completely different dog. They’re calm and work a room or an area with ease.”

Watts was able to show her abilities to the Garda family and friends who watched as she purposely edged along a fenceline and ramp, sitting when she located hashish and gunpowder.


Adil Jussawalla on poetry, mortality, and his recent prolific output after years of absence

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Adil Jussawalla is one of the most recognisable voices in Indian Poetry in English — and as a former journalist, editor and translator, he has worn many hats. Through the independent small press Clearing House, Jussawalla helped publish some of the most landmark poetry collections in the country. After his second collection, in 1976, he conspicuously remained absent from the publishing scene for almost four decades. In the last five years, though, he has written and published, (among others) the Sahitya Akademi-winning I Dreamt A Horse Fell from the Sky (2015, Hachette). In this interview with Firstpost, he talks about his absence, the process to his poetry, mortality and Bombay/Mumbai, which is subject of his latest poem-length book, Gulestan (Paperwall Publishing).

Article by Manik Sharma | firstpost.com

Why did Gulestan take almost six to seven years for you to write? Is that what your process of writing is usually like?

Yes, that is the way I go about writing. Not necessarily sitting with one poem for five or six years, but if I find something unsatisfying even about a final draft, something missing. Sometimes you find better, brighter things to say later on. In my writing in particular, that is often the case. After a point, (if) I get the feeling the feeling that a poem can be let go, and then I do.

You mean our own reading of poetry changes with time..

Yes. But I don’t know of many poets who’d be satisfied of their thought and expression as a final product. But then you have to let go of a poem at some point, with a degree of control over it.

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Does that — your method — also explain your absence from publishing between Missing Person (1976) to Trying to Say Goodbye (2012) or is there more to the story of those four decades? You have been quite prolific in the last few years. What changed your mind?

Partly, yes. I tried to explain in Trying to Say Goodbye. But I had really gotten into the bad habit of accumulating unfinished drafts. A number of these had piled up. The late surge in publishing is probably explained there. But there was also the case of missing incentive, in terms of magazines or publishers. That would have helped. It wasn’t just my dissatisfaction with the poems I was writing.

At a later stage in life there is a sense of ending, of mortality. It probably began to happen once I turned 60. I mean, there are so many poets with similar stories. Had Clearing House not stuck together or published a collection like Jejuri, Arun Kolatkar would have remained undiscovered. So there is a role for incentive.

In Gulestan, you often project your ideas of mortality, perhaps even of disillusionment with age — a trope that regularly appears in your late works. Stepping aside from the writing, how has that affected you personally? When does a sort of fear set in?

Well it is sort of living to the day. Make the most of it. I mean that is what everyone I know who is well above 70 like me, poet or not, probably feels. In my cases it has only sped things up a little, I guess. In an attempt to get my writing out, maybe even looking back… I’m working on two more manuscripts, where I’m trying to go into deep time, into History, even personal history. You know because it is perhaps the time to talk about it, since so much of it is being destroyed worldwide.

With me, I think a kind of anathema, would be to not be able to do it any faster. I do keep anguishing about the possibility of none of these things being completed in time. But it only brings negativity. I have to avoid it.

Since you mentioned History in a political context here, and since you have worked as a journalist for so many years, do you ever feel compelled to return to the format, to have a bit of your say? Or do you want to keep away?

I won’t say keep away. It does cause me anguish and I want to speak out, but not in the format of articles or pieces anymore. People tell me you should write a memo, because I care so much about personal history, but I can’t do it when someone tells me ‘this’ is the subject. I know poems will be read by fewer people, but for some reason I find prose harder to write. Poems is what I want to concentrate on, speak whatever I have, through them.

You happen to have quite an active Facebook presence. You even interact with a lot of the younger generation through social media. What is it that you go out, if you like, looking for, and what is that you often find? Do you see it helping Poetry?

Mixed feelings, I must be honest. So many people have asked me the question. I’ll tell you I arrived on Facebook because when a recent book was coming out, they said they’d publicise it a bit, so it would be good if I were there. That was a first for me. I must admit, I got hooked very quickly and I do spend more time on it than I should. I am trying to ration it now. There are things I do like about it. But I don’t see what good can an argument or discussion being settled on social media help any of this. The group Indian Poetry is doing some good things, so I follow it at times. But I intend to cut back on all of it.

Coming back to Gulestan again, you started writing the poem right after the Mumbai attacks. You have mentioned in a previous interview that you are a city poet. Has that changed? And what does Bombay or Mumbai mean to you?

I think it was in an unfortunate India Today interview. I regret it. Well, maybe not exactly regret, but it did present a very one-sided view of me. Many of the poems in my first book were responses to nature. Nature as in something desirable, something that we are at conflict with as well. That has certainly always been a preoccupation. In Gulestan you can probably read how nature is telling me more than the city, the concrete of the city. I see an opposition there. Because it is nature that really heals.

You see what has happened in Gulestan, is that I have used more objects and symbols that I’ve used in most poems. Writing about the streets and the city, is something that has been part of my journalism, many feel, but not my poems. I don’t think that is entirely true, though I may be wrong.

As for Bombay/Mumbai… see, the thing is, I was born privileged. I do not deny that. But I do see Bombay, coming to an end in a symbolic way. Historically I relate it to the great cities of the past that no longer exist — Babylon for example. I do, it is sad to say this, see Bombay as not existing, even though through its noise and pollution it does. I cannot contemplate its future. For me, the great city, Bombay does not exist, even though it does.

50 Cups Of Coffee: Khushnuma Daruwala On Her New Book

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Of Coffee & Bad Dates: Khushnuma Daruwala On Her New Book

When Khushnuma Daruwala learnt that her friend had been on over 50 dates via matrimonial sites, she was shocked. From stalkers to men who turn up in tiny shorts to guys with mommy issues to guys who discuss their bowel movements, these stories are bitingly funny, painfully awkward and will put a smile on anyone’s face. They are told from Dia – a 30+ city girl’s perspective. Though she is perplexed to discover that finding a partner can be so difficult, she is determined not to settle for less.

Here are some excerpts from our interaction with Khushnuma:

What did you hope to achieve through the book ’50 Cups of Coffee’?

I had a great laugh when I heard my friend’s stories. Everyone has suffered a bad date. This book is about celebrating all those mad and bad dates.

Khushnuma-Daruwala

What is unique about the dating scene in India?

The apps here are a bit more conservative. In the West, the dating apps are absolutely out of the world — there are apps which match compatibility based on whether you like the same burrito toppings!

I have seen that a huge amount of youth go back to arranged dating. In the West, dating has more of a romantic connotation. Here, the tone is more interrogative, it is like resume-checking. Indeed, people even send in their resumes, and that formal structured language has creeped in even when talking about dating. Dating in India is formal and goal-oriented. There are rarely any romantic overtones, and questions like do you drink, what is your diet etc are commonplace.

What was the most funny or interesting incident that stood out to you?

Strangers discussing S&M, men discussing their bowel movements, so many things. What struck me was the absurdity of how people crossed boundaries. How what was socially acceptable was so routinely broken. The crazier the story, the better for me!

Why is being single in the thirties considered a state of panic for a woman? Can you talk more about that urgency to get married?

This is changing a little bit in urban India. Unfortunately, there is a lot of societal pressure on a woman to have certain physical characteristics and to produce children. Men are also supposed to be ‘well-settled’. The gender norms and stereotypes are unfair on both sides.

You found a publisher after four years. Can you take us through that process — how you went about finding a publisher?

I started sending out proposals after I had finished the first 2-3 chapters. Many responded, saying it wasn’t a match, some didn’t respond at all. Pretty soon, I had run out of all my options. It just so happened that I was attending a book launch, and met someone from Penguin. They put me in touch with my editor who wanted to take the book on. It happened by chance, but the learning for me is to never give up. You never know when opportunity comes your way.

What was your writing process like?

I just started collecting all the stories people gave me, and I saw certain themes emerge. I knew that I did not want to turn this into a typical romance novel. The book went through many iterations.

Why only bad dates from a girl’s perspective?

It just so happened to be from a girl’s perspective because that is how it started. But while writing the book, I heard plenty of bad date stories from my male friends as well. Even if I don’t do a sequel from a guy’s perspective, i will definitely at least write an article from a guy’s perspective!

At the end of the day, marriage isn’t the end all and be all of everything, says Khushnuma.

 

    Jiyo Parsi Idea Contest

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    ENRICH A MEMORY AND GET RICH YOURSELF

    Jiyo Parsi commemorates the 100th death anniversary of Dadabhai Naoroji by inviting our Zoroastrian Indian viewers to participate in an Idea Contest on our Facebook page.

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    https://www.facebook.com/jiyoparsi

    Easy to enter, for Parsis in 3 age groups

    GROUP 1 – Age : 6 years to 12 years :

    Draw Dadabhai Naoroji and list five (5) wishes his spirit would have for Jiyo Parsi

    GROUP 2 – Age : 13 to 19 years :

    Take a selfie with any object that symbolizes his value e.g. divo for truth or a book for knowledge. Write five (5) lines of its relevance to Jiyo Parsi

    GROUP 3 – Adults 20 years onwards:

     

    Answer these 5 simple questions:

    1)    Dadabhai Naoroji married young and had 3 children. What would be his advice to our contemporary youth?

    2)    He belonged to an Athornan family, in what direction might he have steered our Jiyo Mobed program?

    3)    How is his “Drain theory”relevant to our present scenario ?

    4)    The Gujarati fortnightly publication Rast Goftar was his powerful medium to disseminate information. What do you imagine would be his opinion of apru JP face book page?

    5)    Foreign travel for Dadabhai sowed the seeds of industrial progress and modernism without crumbling traditional pillars of Swadeshi. What is your suggestion of improving our population numbers without tampering with the pillars of tradition?

     

    19388511_1555594207836754_2211519110317469088_o

    Esteemed judges: Havovi Wadia, Firoza Punthakey Mistree and Freny Mehta

    Hurry – sketch, type and upload in our visitors post with your contact details Name, Age, Email id and Phone number.

    Last date of entry : Midnight, Wednesday 28th June, 2017.

    Top surgeon dies 2 days after fire

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    Senior orthopaedic surgeon Dr Kekoo Kavarana (76), who was battling severe smoke inhalation injuries, breathed his last at Breach Candy Hospital–a place where he operated and gave a new lease of life to patients over three decades–late on Saturday evening.

    ThumbnailsHis wife Feroza, who too was asleep in the house when a fire broke out on Thursday , continues to be under treatment at the hospital.

    A Breach Candy Hospital source said that Dr Kavarana’s lungs had suffered serious injury from inhaling the smoke. He was on life-support since the time he was brought to the hospital in a critical, unconscious condition. The couple’s pet had already perished One of his colleagues told TOI that he was hoping Dr Kavarana would beat the odds and survive. Orthopae dic surgeon Dr Sanjay Desai remembered the veteran orthopaedician as a thorough gentleman who remained humble through his career.“He was a fine surgeon. His death is extremely tragic,“ he said. He also recalled how besides Breach Candy Hospital, Dr Kavarana’s big living room doubled as his consulting room. Dr Kavarana hailed from a family of doctors and had graduated from Grant Medical College attached to the JJ Hospital in 1966. He went on to complete a sevenyear stint in UK where he picked up the nuances of arthroscopy .

    The doctor’s son and daughter-in-law, who also lived in the house, managed to escape but couldn’t come back to rescue the couple as the fire was raging. The blaze was doused after nearly four hours. The police were the first to respond to the emergency as they noticed the flames from across the road.

    Below is a 2013 article published in the Afternoon DC on Dr. Kavarana

    Dr. Kekoo S. Kavarana: orthapadic surgeon

    Looking back on the years gone by – and ever so quickly, one often reflects on what one has achieved. Ever since he could remember, he knew that he wanted to become a medical doctor. Seeing his father Dr. Minocher Kavarana at work must have rubbed off on him Before he finished school he knew that he wanted to take up surgery. His father let him loose one day and requested one of his colleagues if he could see an operation. He still remembers what it was, a hemi-lobectomy, removing half a lung and that sealed his fate.

    He was not particularly a bright student, but his intense desire to become a doctor and to get into medical college was a driving force. His parents especially his mother made sure that he studied diligently to enable him to get a 1st class in the intermediate science examination to enable him to get a seat in a medical college and there was no looking back. After doing a term in Orthopaedics he knew that that was his life’s calling. The fact that one of his hobbies was carpentry certainly helped in later years!

    He graduated from Grant Medical College in 1966 and completed his Masters in Orthopaedic Surgery in 1970. The following year he proceded to U.K. and was lucky to get an attachment with the University of Dundee in Scotland where he spent Seven years honing his skills. He had the luck and privilege to work with Prof. Ian Smillie the father of knee surgery in the U.K. and of International fame. He learnt a lot about this speciality before arthroscopy (looking into a joint with a scope) and MRI came into vogue. During this period he got a fellowship with the University of Paris and had an opportunity to observe and work with some of the leading names in Orthopaedics there.

    After seven years abroad, he decided to return to Mumbai and set up his practice.  Early days were difficult but with time and hard work he gradually established himself. In due course, he was appointed as consulting orthopaedic surgeon to the Breach Candy Hosp., Parsee General Hosp.,and the Conwest Jain Group of Hospitals.

    In 1984 he was invited to join the premiere Rotary Club of Bombay. Rotary is an International social service organization and gives one the opportunity to give of oneself in different avenues of service. In 1995, he rose to become President of the Club. It was a wonderful period that gave him pleasure to lead this renowned club.

    Dr. Kekoo advices the youth of today and the leaders of tomorrow that firstly, there is no substitute for hard work. It may take time, but in the end it pays rich dividends. Things don’t always fall into your lap when you want it. Keep trying and you will always succeed. When you are young you ate like a sponge. Soak in whatever you can and the experience thereof will make you wiser. Unfortunately many of todays youth want everything yesterday. It doesn’t work that way.

    Work hard, work patiently and work with diligence. That and only that will pay rich dividends.

    Prof. Kaikhosrov Irani passes away

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    Zoroastrian Association of Greater New York (ZAGNY) announces with great sorrow that our beloved Prof. Kaikhosrov Irani (KD and Keku to his associates and close friends) passed away on June 29, 2017 at the age of 95.

    Condolences may be sent to his niece Zarine Weil, zbweil@comcast.com and Zarine’s son Darius Weil, darius.weil@gmail.com.

    At Prof. Irani’s request the funeral will be very simple and private, ZAGNY will have a memorial meeting at the Dar-e-Mehr, the date and time will be announced shortly.

    O B I T U A R Y

    By Dr. Lovji Cama

     

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    Kaikhosrov Dinshah Irani, born on May 1, 1922 in Bombay, India, was the eldest son of Dinshah Jijibhoy Irani and Banu Mithibai Sethna. He graduated from St. Xavier’s College in Bombay and obtaining a Law Degree from Bombay University. He met his future wife Piroja who was a fellow clerk in the law firm where they worked. He came to the United States and worked on the Manhattan Project at the Univ. of Chicago and then at the Princeton Institute of Physics, where he had the opportunity to have many interactions with Albert Einstein. So impressed was Einstein with him that he wrote a letter of recommendation for a teaching position in Philosophy at City College in New York which helped him to obtain the position. He returned to Bombay to marry Piroja.

    Prof. Irani became Emeritus Professor of Philosophy at the City College of New York, after teaching there for 41 years. He was Chairman of the Department for nine years; and the Director, and Executive Director of the Program for the History and Philosophy of Science and was responsible for the development of the Program and its execution and teaching. He was also the Director of the Academy of Humanities and Sciences for 12 Years. He retired from teaching at the age of 90 and had a teaching record at City University in New York for 60 years. Here is a quote from one of his students: “Irani is an amazing professor; knows almost every major figure alive during his incredibly long lifetime; is lucid, precise, w/ fantastic memory. Be prepared for old, European pre-war teaching style. Take the class to learn, not to get a grade; he will not grade your work at all, but will give you a final grade from the gestalt or your performance.”

    Among the awards he received, are: The City College citation for distinguished teaching in 1960, the Outstanding Teachers Award in 1984, the Award of the Society of Indian Academics in America in 1991, for service to the cause of Education. He also received the award for service to the cause of Zoroastrianism from the World Zoroastrian Organization in 1991. The Federation of Zoroastrian Associations of North America Lifetime Achievement Award, 1994. One of his greatest honors was the establishment of the K D. Irani Chair of Philosophy, at The City College of New York, through an anonymous contribution of $2,000,000, by one of his students in 1999.

    His original field of teaching and research, was Philosophy of Science. Prof. Irani was one of those rare individuals whose unique background and interests allowed him to understand the works of both Albert Einstein and Emanuel Kant and to successfully apply this kind of knowledge to his chosen field of the Philosophy of Science. In the last thirty years he worked in the area of History and Philosophy of Ancient Thought — Religious, Moral, Mythic, and Technological. He was a contributor on the Seminar for Ancient Ethics, presenting a paper on the Dawn of Conscience. He applied these philosophical analyses to Zoroastrian Scriptures. His original analysis of forms of religiosity was applied to Zoroastrianism and the Indo-Iranian religions and the work was published in the K. R. Cama Oriental Institute Journal (1986) as part of the Government Fellowship Lectures in Bombay in 1981.

    Prof Irani arrived in New York in 1947, long before ZAGNY. Over the long years of his association with ZAGNY and indeed the entire North American Zoroastrian community, he was our teacher and advisor and made us think what Zarathushtra really meant by our belief in Good Thoughts, Good Words and Good Deeds. His wisdom and guidance benefited us all. His lectures on Zoroastrianism and Philosophy instructed and guided us to be good Zarthushtis. His standing within academia helped with the recognition of the Zarathushti religion in North America.

    As a philosopher one may have expected him to be an ivory tower type. Far from this, he as a true Zoroastrian, involved himself in the life of the community. During 1993-95 Prof. Irani served as the President of ZAGNY and was on numerous Boards of ZAGNY. He arranged seminars and conferences under the ZAGNY umbrella. He also arranged the first and second Gatha Conferences held in the UK and Los Angeles and the first Yasht Conference in New Rochelle, NY. From the time of the inception of the Arbab Rustam Guiv Dar-e- Mehr in New York, Prof. Irani conducted classes for adults on the subject of Zoroastrianism. His common sense and ethical approach to problems helped him shed light on many complex problems that arise within the North American Zoroastrian community.

    He has given lectures on Zoroastrianism throughout North America, Europe, India and Pakistan. His knowledge of Zoroastrianism, especially the Gathas, his wit and sense of humor, and his ability to fit the subject of Zoroastrianism in the broader field of Philosophy makes him an engaging speaker and a great teacher. Prof. Irani is a person of great honesty and integrity, he has a firm belief in the teachings of Zarathushtra and was dedicated to these teachings. He had often trouble reconciling the social practices of Zoroastrianism when they were in conflict with these teachings.

    Prof. Irani’s academic standing and respect gave him the ability to successfully represent and explain Zoroastrianism convincingly at many interfaith meetings. He was a unique treasure to the Zoroastrian community. His connections into the academic world provided the community access to some of the best minds who work in the field of religion and Zoroastrianism in particular. We were indeed fortunate to have amidst us this great philosopher, teacher and friend of our community and one of its finest members.

    Ariana Elavia Raetz Stars in Samsung Commercial

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    Eight year old Ariana Elavia Raetz has just released a national commercial for Samsung Family Hub Refrigerator.  The ad was directed by Oscar Winner Tom Hooper (“King’s Speech”) and filmed by Oscar Winner Linus Sandgren (“La La Land”). 

    View and like the commercial here to show your support for this determined little girl.

     

    IMG_1910Ariana has shot commercials for G-Fuel, BoomCHICKAPOP, and Motts apple sauce. But the Samsung ad is her largest production thus far.  It also features her mom and sister in the background since Samsung wanted to showcase a real family using their products.

     

    Ariana has always loved acting. But she became interested in auditioning for roles on TV when she was approached by an agent while shopping at her local Target. She begged her parents to enroll her in acting school and diligently attended an intensive 20 hours a week course for 10 weeks. After the course was completed, Ariana chose to sign on with Avalon Artists Group. She continues to attend classes at the school to hone her craft and tirelessly attends audition after audition with a positive attitude and a will to persevere.  Her family and friends could not be more proud of her efforts.

    Ariana lives in Irvine, CA. She loves participating in plays at the Zoroastrian Association of California.

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    Remembering Dadabhai Naoroji on 100th Anniversary of his Death

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    Today June 30, 2017 marks the 100th death anniversary of Dadabhai Naoroji, the Grand Old Man of India, and one of the most influential leaders India knew.

    Dinyar Patel, Co-Chair of FEZANA’s Research and Preservation committee, and a leading research scholar on Dadabhai Naoroji’s life and work; has written this insightful article to commemorate this occasion.

    June 30 provides an opportune moment for reflection on the early

    India must recall legacy of early nationalists like Dadabhai Naoroji in the age of hyper-nationalism

    Remembering one of the most influential leaders of the early Indian National Congress on his 100th death anniversary.

    phase of the Indian nationalist movement, and how we remember and commemorate it. This day, 100 years ago, Dadabhai Naoroji, one of the most influential leaders of the early Indian National Congress, died in Bombay.

    He died, appropriately enough, a short distance from Tejpal Hall in Gowalia Tank, the venue where, in 1885, he helped inaugurate the first meeting of the Congress. During the last three decades of his life, Naoroji, known as the Grand Old Man of India, had been at the vanguard of the organisation. He presided over its institutional growth and, in 1906, established swaraj or self-government as the Congress’ ultimate objective.

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    Even after ill health forced the octogenarian Naoroji into retirement in 1907, he found it difficult to completely discard the mantle of leadership. Naoroji interrupted periods of convalescence at his bungalow in Versova, then north of Bombay city, by writing letters to colonial officials in London, haranguing them for the “evil of the present system” of government in India. And, shortly after his 90th birthday in 1915, he caused panic amongst his friends, family members, and caregivers by agreeing to a request by Annie Besant – the British theosophist and champion of the home rule movement in India ­– that he take on the responsibilities of being president of her Home Rule League.

    Obscure figures in public memory

    Naoroji’s death in 1917 marked the definitive close of a chapter in the history of the Congress and Indian nationalism. In place of the moderate, constitutionalist approach that had been championed by early Congress stalwarts, a new generation of leaders adopted steadily more confrontationist tactics against British authorities. Indeed, in newspaper columns from 100 years ago, obituaries for the Grand Old Man jostled for space alongside coverage of the government’s internment of Besant, arrested on the grounds of “public safety”. Gandhi, meanwhile, took a brief pause from his first Indian satyagraha to organise a condolence meeting for Naoroji amidst the indigo fields of Champaran in Bihar.

    Besant and Gandhi were quick to recognise the towering legacy of Naoroji and other members of the early nationalist generation. But the tide of opinion swiftly turned. By the mid-20th century, many scholars and commentators were describing early nationalists as colonial “collaborators”. The early Congress was derided as nothing more than an elite debating club. These are quite unfair characterisations.

    Nevertheless, most early nationalists have today become obscure figures who hardly figure in public memory. Nothing – not even a gentle reminder from a senior historian of the nationalist movement – could rouse the modern Congress party to remember its founder, Allan Octavian Hume, in 2012, a hundred years after his death. Anniversaries for pioneering nationalist leaders Gopal Krishna Gokhale and Pherozeshah Mehta, who died months apart in 1915, elicited barely a whimper from the government or the public at large two years ago.

    This is unfortunate. Early nationalism was an absolutely foundational moment for the modern Indian nation – and, in the current hyper-nationalist political climate, it would be good to reflect on its leaders’ legacies.

    These leaders developed many of the ideas that continue to animate Indian politics. In the late 19th and early 20th centuries, Naoroji and his peers identified the alleviation of poverty as the central challenge for the state, affirmed their commitment to a pluralist democratic political structure, and steadfastly warned against communal and majoritarian instincts. They established solid alliances with socialists, anti-imperialists, and political reformers around the world.

    India’s culture of commemoration

    All of this begs the question: how should Naoroji and his fellow early nationalists be commemorated? On June 30, statues of Naoroji will be garlanded and a few homilies and paeans to him will be offered at public events. These activities serve a certain purpose, but they fail to offer proper commemoration.

    India’s culture of public commemoration remains strangely Victorian. This is due, in part, to the lasting influence of the Scottish intellectual Thomas Carlyle, whose 1840 work on hero-worship gained wide currency across the British Empire. Hero-worship was “submissive admiration for the truly great”, Carlyle lectured. It was “the transcendent admiration of a Great Man”. Carlyle was against the objective analysis of such heroes: “critics of small vision”, he averred, must not be allowed to dim their glory or interfere in their veneration.

    In many ways, public commemoration in India still seems beholden to Carlyle’s dictums. Deceased leaders are deified and a web of hagiography is spun around them. Statues are cast in heroic poses – indeed, India has recently embraced the philosophy that truly heroic leaders deserve super-tall concrete behemoths. Contemporary political figures eulogise their greatness. Consequently, we lose track of what really made these leaders important: their ideas. Bereft of any reference to their ideas and philosophies, effusive praise eventually loses its resonance and the hero is duly forgotten.

    In place of statue building, chowk renaming, and other such token efforts at commemoration of past leaders, it would be much more meaningful to advance their ideas. This is especially the case for early nationalists, who contributed to a particularly fertile period of intellectual development in India.

    To cite one example, early nationalists were united in their desire to promote high-quality mass education, an objective that modern India is still struggling to achieve. Naoroji, Gopal Krishna Gokhale, and Mahadev Govind Ranade, an important economic thinker and leader of the Congress, all began their careers as college professors. The Grand Old Man, who in his youth opened some of Bombay’s first schools for girls, was a tireless advocate for the spread of learning. As early as 1871, he demanded that the British administration in India institute a “comprehensive plan of national education”.

    Many years later, Pherozeshah Mehta, shocked that the Bombay Presidency’s director of public instruction had declared 85% of Indians “beyond the pale of education”, railed against the government’s indifference towards the intellectual development of its subjects. Gokhale, meanwhile, regarded educational policy to be “one of the greatest blots” of British rule. In 1911, he authored a bill to introduce a policy of compulsory primary education in India – which, of course, the British government rejected.

    If the government and public at large are truly interested in commemorating Naoroji and other early nationalist leaders, then something in the educational sector – further reforms and training to improve instructional quality, stricter public school accountability, scholarships, or institution building – would be an appropriate monument. Such programs would keep alive the legacy of early nationalism. After all, one has only to consult Carlyle’s contemporary, the poet Percy Bysshe Shelley, to remember the ultimate fate of massive statues:

    “Nothing beside remains. Round the decay

    Of that colossal wreck, boundless and bare

    The lone and level sands stretch far away.”

    — Ozymandias


    Waiting for Jonathan Koshy Now on Amazon Kindle

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    Author Murzban F. Shroff informs us of the recent launch of the e-book version of his novel, Waiting for Jonathan Koshy, on Amazon Kindle.

    414MxCYZ4jLThe book has a five-star rating on Amazon, was a finalist for the Horatio Nelson Fiction Prize, and received high praise from two top-drawer authors: the Pulitzer Prize winner Robert Olen Butler and the National Nook Award Finalist Madison Smartt Bell.

    As a special launch offer, the e-book is free, and the paperback is priced at U$D 9. only.

    https://www.amazon.com/dp/B071X11VHY

    About Waiting For Jonathan Koshy

    In the heart of Pali Hill, the Beverly Hills of Mumbai, four friends await the arrival of Jonathan, a man “greatly appreciated for his wit, his effervescence, and his indignation,” a man exiled from his home state. Through their conversations, we learn of the tumultuous life of Jonathan – how he single-handedly breaks up a gambling den, disarms a rioting mob, charms a recovery agent, evades arrest at a drug-ridden rave party, and brightens up the lives of sex workers and their children. Jonathan has a solution for every crisis that strikes others, but not for his own dysfunctional family life. It is left to life then to resolve matters for him. Delivering the insights of a thought-provoking novel, Waiting for Jonathan Koshy reflects the triumph of a spirit that refuses to let up on humour and quick thinking in the face of intense personal adversity. It is a book about friendship, perseverance, family obligations, and duty. Most importantly, about life’s late but redeeming powers

    Meet Frazan Kotwal, the Indian Parsi priest who is now a renowned Opera singer

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    Frazan Adil Kotwal, touted as India’s youngest Opera singer, has been circling the globe exhibiting his singing prowess at various at international platforms for years now.

    Growing up the only knowledge some of us had of Opera singing, if any, was from that one episode of Tom & Jerry where Tom belts ‘Largo al factotum’. We wouldn’t be surprised if that were the case for all of us simply because western classical singing is not prevalent in India. Perhaps that’s why it’s so exciting to see someone pursue a career in the art form.

    Interview by Siddhant Pandey | INUTH

    Frazan Adil Kotwal, 24, touted as India’s youngest Opera singer, has been circling the globe exhibiting his singing prowess at various at international platforms for years now.

    Although his heart lies in Western Classical music, he doesn’t mind the occasional Bollywood music or David Guetta, for that matter. Besides his obvious interest in singing, Kotwal is also a Zoroastrian Priest and a journalist by profession.

    InUth contacted Kotwal to give us an insider perspective of what it is like to be him and here’s what he has to say:

    Frazan-Adil-Kotwal-Indian-Opera-Singer-Image-for-InUth-9

    1. How did you develop an interest in music?

    I was always a very performance oriented child. In school, I was mostly shy but, on stage, I transformed into this confident young boy who believed the possibilities were endless. My school was very encouraging in giving me the opportunity to sing solos in choirs and be the lead roles in many plays. When I was 18, I got introduced to opera and from then onwards, there was no looking back.

    2. From being a Zoroastrian priest to getting into singing on international platforms, how would you describe your journey?

    I have always believed that when I sing it is like a prayer. For me, singing is deeply spiritual and it’s the journey which I take my audience on, is a feeling truly no one can explain. Being a priest has helped me in many ways and vice versa. The vibrations we use in our prayers are the same I use while singing. It’s a connection to a higher power.

    Frazan-Adil-Kotwal-Indian-Opera-Singer-Image-for-InUth-3

    3. Did your family ever object to your interest in Opera singing, an art not that prominent in India?

    I am truly blessed to have a very supportive and encouraging family. At first, they were hesitant about how I would earn money but, once I started earning by performing, they were relaxed.

    4. Are there any parallels between the Opera music and the kind of music we are exposed to through Bollywood?

    Yes, I do believe the drama and flamboyance of Bollywood could be related to opera. I have always said that Bollywood music is easy to hum and sing as it is very melodic. In opera, it is important not to always understand every word but, to really feel the music and let yourself go.

    Frazan-Adil-Kotwal-Indian-Opera-Singer-Image-for-InUth-8

    5. What do plans do you have for yourself and for the future of Opera singing in India?

    Older Western Classical enthusiasts in India tend to be very political which, unfortunately, repels today’s musicians who don’t want to get entangled in politics.

    While Indian institutions focus mainly on expensive foreign players, performance centres and concert halls across the world feature young musicians as well. Once I finish my training and establish myself, I will make sure to give back as much as I can and support our young musicians as I do now.

    Roda Mehta to be conferred with AAAI Lifetime Award 2017

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    The Advertising Agencies Association of India (AAAI) has announced that the recipient of this year’s AAAI Lifetime Achievement Award is Roda Mehta. The award is the highest honour given to an individual in India for his/ her outstanding contribution to the advertising industry.

    Roda-MehtaMehta played a legendary and pioneering role in establishing scientific media planning and buying in India. While doing so, she built a whole generation of media professionals for the advertising industry. Mehta joined Hindustan Thompson Associates in 1971 and became the first MBA and first woman in the media function of an advertising agency in India. She moved to Ogilvy Benson & Mather in 1975, and rose from Media Group Head to Media Controller for Bombay Office in 1976 to representing Media for the first time on the Managing Committee of Bombay Office in 1978 to being sent to London for 3 months to introduce Account Planning and Research in the Indian operation in 1980 to the Board as Director – Media & Research in 1982. She transferred, as President – South in 1992, became Director -International Client Service in 1994, and Managing Consultant – the Media Network in 1996.  Along the way, she pioneered Outdoor planning and buying and set up a Rural Media network to service client requirements.

    Invited on several committees and associations by the industry, including the Expert Committee on TV Marketing for Doordarshan & AIR, she was Founder Member of the Market Research Society of India (MRSI) and Founder Member and Chairperson – Technical Committee of the Media Research Users Council (MRUC).  She chaired MRUC from 1994-96. Ms Mehta was also on the Board of several other committees including Advisory Board – Ministry of Information & Broadcasting (Govt of India), AAAI’s Media Disputes Committee, Economic Times Advisory Panel, etc.  An avidly sought after speaker at industry conferences/seminars, she served as faculty on training programs run by Ogilvy & Mather India and Asia Pacific.

    Roda Mehta bagged several prestigious awards including the David Ogilvy Award for Asia Pacific & Agency of the Year Award (Public Service) 1992 for the National Literacy Mission campaign.

    Currently she is associated with several non-profit organisations as a Trustee of the Lila Poonawalla Foundation, which provides scholarships and mentoring to economically challenged girls from Maharashtra for postgraduate, graduate/diploma and secondary school education; Board Member and Treasurer of Nagrik Chetna Manch, a citizen’s watchdog organisation on public expenditure. She administers a very active Citizens’ Whatsapp Group for civic affairs of PMC Ward 21 and is a practitioner of Kriya Yoga.

    Making the announcement, Nakul Chopra, President, AAAI, stated, “Roda Mehta is a pioneer in more ways than one. This Award is well-deserved recognition for the stellar leadership she provided our industry and our eco-system for over two decades, during which time she also nurtured a whole generation of professional talent.”

    Added Ashish Bhasin who was Chairman of the AAAI Lifetime Achievement Award Committee – Selection: “Roda Mehta has single-handedly played a vital role in getting due respectability for the Media function in Advertising.”  Members of the Selection Committee for this Award included Sam Balsara, Srinivasan K Swamy, Ambi Parameswaran and Nakul Chopra.

    This Award, instituted in 1988 by AAAI, has been bestowed on 24 persons thus far. It will be presented on July 14 in Mumbai.

    Nergis Mavalvala honoured with Carnegie Great Immigrants award

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    Pakistani-American Nergis Mavalvala is among 38 immigrants being honored this year with the ‘Great Immigrants’ award by the Carnegie Corporation of New York.

    Article in Express Tribune

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    The ‘Great Immigrant’ honor is in recognition of naturalized citizens who make America strong. Each year since 2006, the Carnegie Corporation has recognized the contributions of naturalized citizens. The honorees represent more than 30 different countries of origin, a wide range of personal immigration stories, and a high-level of professional leadership in numerous fields.

    Mavalvala was born to a Parsi family in Karachi where she did her primary schooling. She is currently an astrophysicist and a professor at MIT and was among the team of eagled-eyed scientists who, for the first time, observed ripples in the fabric of space and time called gravitational waves.

    “Our annual tribute to Great Immigrants demonstrates the richness of talent, skills, and achievements that immigrants from around the world bring to every sphere of American society,” said Vartan Gregorian, president of Carnegie Corporation of New York.

    “This campaign reminds us of the debt the United States owes to generations of immigrants who become citizens and contribute to the progress of this country. Today, we celebrate and thank them.”

    Other honorees include Somalian-origin Ilhan Omar who was the first Somali American Muslim legislator elected to office in the United States South Korean-origin Do Wan Chang who is the cofounder and CEO of fashion brand Forever 21.

    Ashdeen: Embroidering Surreal Parsi Dreamscapes

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    Few things are as beautiful or have such a convoluted history as Parsi Gara – the gorgeous embroidery which came to India by way of Persia and China through the Parsi traders dealing in opium in China. These traders who journeyed to China in the 19th century discovered distinct hand-embroidery and carried it back to India.

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    Noted designer, author and curator Ashdeen Lilaowala who is Parsi, has spent almost a decade traveling to Iran and China to trace the back story of this fabulous embroidery which is a fusion of Parsi, Indian, European and Chinese crafts and aesthetics. Ashdeen has become a major name in the fashion world in India and his embroidery has been seen at the Lakme Fashion Week as well as on stars like Madhuri Dixit, Hema Malini and Sonam Kapoor.

    Recently Ashdeen  was on his  first trunk show in the US and first showed in Los Angeles at the Zoroastrian Association of California.  In New York and New Jersey his shows were organized by the Zoroastrian Association of Greater New York (ZAGNY).  At the reception at DAG Gallery in Manhattan, he gave a fascinating illustrated talk through which he  took the audience back to British times, back to pre-Independence days when enterprising Parsis went to Hong Kong and China and created the special embroidery known as Parsi Gara.

    The Parsis, a vibrant and unique community in India, are descended from the Zoroastrians who fled religious persecution in Persia 1200 years ago and found a warm and welcoming home in India. The womenfolk adopted the sari when they landed in India in keeping with their promise to the local ruler that they would wear the traditional clothes of the land.  Old photographs show them wearing the heavily embroidered silk saris with the distinctive work known as Parsi Gara. As Ashdeen notes, the Parsis inherited this legacy only after they started the trade with China. These special embroideries are not found in other Indian communities and were embraced by the Parsi community to create their own identity.

    Continue reading on Lassi With Lavina

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